Sans Superellipse Ferir 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Angela Love Sans' by Fargun Studio, 'Curtain Up JNL' and 'Privilege Sign JNL' by Jeff Levine, 'Isagi Blue' by Lurinzu Studios, 'Hornsea FC' by Studio Fat Cat, 'Brumder' by Trustha, and 'Buyan' and 'Buyan Variable' by Yu Type (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, logotypes, sporty, dynamic, industrial, assertive, retro, impact, speed, compactness, modernity, branding, condensed, slanted, squared-round, oblique terminals, tight apertures.
A heavy, condensed oblique sans with a squared-round (superelliptical) construction. Strokes are uniform and dense, with broad curves that resolve into rounded-rectangle counters and softened corners rather than circular bowls. The slant is consistent and forward-leaning, giving the letterforms a compressed, aerodynamic rhythm. Apertures tend to be tight and counters are compact, while joins and terminals stay clean and unflourished, emphasizing a sturdy, engineered silhouette.
Best suited to short, high-impact settings such as sports identities, event posters, packaging callouts, and bold editorial headlines. It can also work well for logotypes and wordmarks that benefit from a condensed footprint and a sense of speed. In longer passages, its dense color and tight apertures make it more appropriate for display sizes than continuous reading.
The overall tone is fast, muscular, and purpose-built, suggesting motion and impact. It reads like a contemporary sports or motorsport voice with a slightly retro, headline-driven confidence. The compact shapes and aggressive slant convey urgency and strength more than neutrality.
The design appears intended to deliver a compact, high-energy display voice built from sturdy geometric forms. Its consistent oblique stress and squared-round counters prioritize visual punch and a streamlined, technical character for branding and promotional typography.
Round characters like O/0 and bowls in B/P/R appear more like rounded rectangles than true ovals, reinforcing the geometric, industrial feel. The numerals are similarly blocky and compact, with strong dark mass that holds up in bold, high-contrast layouts.