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Free for Commercial Use

Solid Anma 8 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, event promos, art deco, retro, theatrical, quirky, ornamental, attention grabbing, decorative impact, graphic texture, retro display, stencil cuts, ink traps, notched, high-impact, sculptural.


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A heavy, display-oriented alphabet built from chunky geometric silhouettes with deliberate internal breaks and notches. Many counters are partially collapsed or fully filled, leaving narrow slits, cut-in wedges, and vertical interruptions that create a stenciled, cut-paper rhythm. Round letters lean on near-circular bowls with sharp internal bites, while straighter forms use flat terminals and abrupt joins; several glyphs show asymmetric detailing that makes the texture lively and uneven by design. Numerals follow the same solid, carved treatment, with minimal openings and distinctive internal cuts that read as graphic shapes more than conventional counters.

This font is best suited to short, high-impact display settings such as posters, titles, brand marks, packaging fronts, and event promotions where its carved silhouettes can be appreciated. It also works well for retro-themed graphics and punchy pull quotes, especially when set large with comfortable tracking.

The overall tone feels playful and dramatic, mixing vintage show-card energy with a slightly cryptic, puzzle-like legibility. Its bold massing and decorative voids give it a poster-ready presence, while the irregular internal cuts add a mischievous, handmade edge.

The design appears intended to turn familiar letter skeletons into bold graphic icons by minimizing counters and introducing consistent cut-in apertures. The goal seems to be maximum visual personality and texture—more akin to signage or decorative titling than continuous reading.

The design produces a strong black-and-white pattern at headline sizes, but the collapsed interiors and thin cutlines can make long passages visually busy. Letterforms rely on distinctive internal carving for differentiation, so spacing and line breaks benefit from generous settings in display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸