Stencil Geme 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Geogrotesque Stencil' by Emtype Foundry, 'Pancetta Pro' by Mint Type, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, badges, industrial, utilitarian, military, rugged, mechanical, stencil marking, impactful display, industrial labeling, graphic texture, condensed feel, monolinear, squared, angular, cutout.
A heavy, monolinear sans with squared, compact letterforms and sharply cut terminals. Stencil breaks are applied consistently across bowls and vertical stems, creating crisp bridges and rectangular counters that read as engineered cutouts rather than brushy texture. Curves are tightened into rounded-rectangle geometry, and diagonals (notably in A, V, W, X, Y, Z) are straight and steep, giving the design a firm, structural rhythm. The lowercase follows the same architecture with narrow apertures and minimal modulation, producing a dense, high-impact texture in text.
Best suited to display applications where the stencil construction is a feature: posters, headlines, badges, labels, and signage. It also works well for packaging or product graphics that aim for an industrial or tactical aesthetic, and for short UI titles or section headers where bold, cutout letterforms are desired.
The overall tone is industrial and utilitarian, evoking signage, equipment labeling, and fabricated markings. The hard edges and deliberate gaps feel functional and authoritative, with a rugged, no-nonsense character that leans tactical and mechanical rather than playful or elegant.
The font appears designed to deliver an unmistakable stencil voice with robust, fabricated-looking shapes and consistent bridges, prioritizing impact and a manufactured aesthetic. Its geometry suggests an intention to read like painted or cut metal lettering, with a uniform stroke system that stays solid and consistent across caps, lowercase, and numerals.
Large interior cutouts and bridges remain legible at display sizes and create a distinctive patterning across words, especially in rounded letters like O, Q, G, and in numerals such as 2, 3, 5, 6, 8, and 9. The design’s compact shapes and tight openings can appear busy at small sizes, where the stencil gaps and narrow counters may start to close in visually.