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Free for Commercial Use

Wacky Debep 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'DR Krapka Rhombus' and 'DR Krapka Round' by Dmitry Rastvortsev (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, horror titles, medieval, gothic, spooky, playful, chaotic, add texture, evoke gothic, create drama, stand out, blackletter, ragged, angular, jagged, chunky.


Free for commercial use
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A heavy, blackletter-leaning display face with chunky, angular forms and deliberately irregular, ragged edges. Strokes stay broadly uniform, but the outlines are serrated and uneven, creating a distressed silhouette rather than clean calligraphic joins. Counters are small and often polygonal, and terminals frequently end in abrupt wedges, giving the letterforms a cut-from-paper, carved look. Overall spacing and rhythm feel lively and slightly unstable, reinforcing the decorative intent.

Best suited for display settings such as posters, event graphics, album art, and title cards where texture and personality are priorities. It can also work for logos or packaging in fantasy, horror, Halloween, or medieval-themed contexts, especially when paired with simpler supporting typography for body copy.

The font reads as medieval and gothic, but with a mischievous, wacky edge—more haunted funhouse than strict historical revival. Its jagged texture adds menace and energy, making it feel spooky, gritty, and intentionally unrefined. The tone is attention-grabbing and theatrical, suitable when you want a dramatic voice that doesn’t take itself too seriously.

The design appears intended to evoke blackletter traditions while exaggerating the outline with jagged, distressed contours for a novelty, decorative effect. It prioritizes character and atmosphere over neutrality, aiming to create immediate visual impact and a gritty, theatrical presence.

In text, the rough perimeter creates a strong “inked” texture that can dominate at smaller sizes; it performs best when given room to breathe. The lowercase maintains the same sharp, fractured language as the uppercase, helping headlines feel consistent. Numerals follow the same blocky, notched construction, keeping the set cohesive for display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸