Sans Other Tigo 7 is a light, narrow, monoline, upright, tall x-height font.
Keywords: display, headlines, posters, tech branding, packaging, techno, angular, quirky, schematic, retro-futurist, modular design, tech flavor, distinct identity, display impact, constructed feel, geometric, boxy, jagged, irregular, linear.
A geometric, line-built sans with a distinctly angular construction. Strokes maintain a consistent thickness and favor straight segments with sharp corners, producing squared counters and polygonal bowls. Several glyphs show intentional irregularities—tilted horizontals, slightly skewed stems, and asymmetric joins—that create a hand-drawn, plotted feel while keeping overall alignment and spacing disciplined. The lowercase uses compact, simplified forms (notably single-storey a/g-like shapes and open, squared terminals), and figures follow the same rectilinear logic with crisp, cornered silhouettes.
Best suited for display typography where its angular quirks and geometric rhythm can be appreciated—headlines, poster titles, game/UI theming, album art, and tech-forward branding. It can work for short blocks of text at larger sizes, but the irregular joins and narrow forms make it more effective for titling, labels, and punchy statements than for long-form reading.
The font reads as technical and experimental, with a playful, hacked-together edge. Its jittery geometry suggests DIY digital interfaces, sci-fi labeling, and retro arcade or early-computer aesthetics rather than neutral modernism. The overall tone is energetic and slightly eccentric, as if drawn with a drafting tool and then subtly misaligned for character.
The design appears intended to translate a constructed, modular drawing logic into a sans wordshape—part drafting, part digital artifact. By keeping strokes consistent while introducing slight skew and asymmetry, it aims to feel engineered yet handmade, delivering a distinctive sci-fi/tech voice without relying on ornament or serifs.
Diagonal strokes are used sparingly but assertively (e.g., in K, N, V, W, X, and the slashed 0), and many terminals end bluntly without rounding, emphasizing a mechanical rhythm. The sample text shows a lively texture where small angle changes and off-square joins become part of the identity, especially at larger sizes.