Sans Superellipse Vupa 5 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: headlines, tech branding, ui display, posters, signage, futuristic, technical, sci‑fi, geometric, clean, futurism, system design, geometric clarity, interface styling, display impact, rounded corners, squared curves, modular, wide-set, low contrast.
A monoline sans built from squared, superellipse-like curves and flat terminals. Counters are mostly rounded-rectangular, giving letters like O, D, P, and Q a soft-square silhouette, while diagonals (A, K, V, W, X, Y) stay crisp and linear. The design favors generous width and open interior space, with consistent stroke thickness and minimal modulation. Details are distinctly constructed: the lowercase a is single-storey with a horizontal bar, the g is single-storey with an open, angular tail, and the t has a compact crossbar and a squared, stem-led form. Numerals follow the same logic, with segmented, chamfered joins and rounded-square bowls (notably 0, 6, 8, 9).
Best suited to headlines, logotypes, and short to medium text in tech-forward contexts where its wide stance and rounded-square forms can be a defining stylistic element. It can work for signage and interface-style labels at larger sizes, where the open counters and consistent strokes remain clear.
The overall tone is modern and engineered, evoking interfaces, hardware labeling, and sci-fi titling. Rounded-square geometry keeps it approachable while the modular construction reads precise and contemporary.
The design appears intended to translate a rounded-rectangle, superellipse construction into a functional sans with a strong futuristic voice. Its consistent stroke behavior, squared curves, and streamlined terminals suggest a focus on system-like coherence and display impact over traditional text neutrality.
Rhythm is driven by wide proportions and repeated rounded-corner motifs; straight-sided curves and short, flat terminals create a strong grid-like coherence. In text settings, the distinctive geometric lowercase shapes and open counters keep the texture even, while the exaggerated width makes lines feel expansive and display-oriented.