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Stencil Kiba 7 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Neue Campton' by René Bieder and 'Mozaic' and 'Mundial' by TipoType (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logotypes, industrial, military, poster, urban, mechanical, stenciled utility, bold display, signage impact, industrial branding, geometric, blocky, slab-like, notched, high-impact.


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A heavy, block-built sans with geometric construction and pronounced stencil breaks. The letterforms are broad and compact, with squared terminals and large, simplified counters that stay open at display sizes. Stencil bridges appear as vertical and occasional diagonal interruptions, producing a consistent segmented rhythm across rounds like C/O/Q and in straighter forms like E/F/H. Curves are close to circular, diagonals are sturdy and direct, and overall spacing feels tight and forceful, prioritizing mass and silhouette clarity over delicate detail.

Best suited to posters, headlines, and large-scale signage where the stencil interruptions remain crisp and intentional. It also fits packaging, labels, and logotypes that want an industrial or military-inspired voice, and can work for short subheads or callouts when you want a strong, branded texture.

The cut-and-bridged shapes evoke stenciled labeling, machinery markings, and utilitarian signage. Its bold, segmented look reads assertive and functional, with a slightly rugged, tactical tone that suggests durability and authority.

The design appears intended to translate classic stencil marking into a modern, geometric display style with strong silhouettes and consistent bridges. It emphasizes impact and recognizability, providing a rugged, utilitarian aesthetic tailored for attention-first typography.

The stencil logic is applied broadly enough to feel systematic rather than decorative, giving mixed-case text a cohesive texture. Numerals and capitals maintain strong, high-contrast silhouettes (in the graphic sense), making the design especially attention-grabbing in short bursts. The internal breaks create distinctive negative-space accents that become part of the font’s identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸