Sans Normal Tymot 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'PC Gothic' by BA Graphics, 'City Boys' by Dharma Type, 'FS Blake' by Fontsmith, 'Charpentier Sans Pro' by Ingo, 'Hisham' and 'Optima' by Linotype, 'Mixtra Sansserif' by T4 Foundry, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, clarity, modern branding, rounded, soft corners, heavy terminals, compact joins, high legibility.
A heavy, rounded sans with broad proportions and compact internal counters. Strokes are robust and smooth, with softly curved shoulders and generous rounding at key joins that keeps the texture friendly despite the strong weight. Curved letters (C, G, O, S) lean on circular/elliptical construction, while straight-sided forms (E, F, H, N) remain blocky and stable. The lowercase features a single-storey a and g, rounded bowls, and short, sturdy ascenders/descenders; apertures are relatively tight, giving the face a dense, impactful rhythm. Numerals are similarly weighty and straightforward, designed for strong presence at display sizes.
Best suited to headlines, posters, and bold editorial callouts where strong mass and rounded shapes create instant impact. It also fits branding and packaging that want a friendly, modern authority, and performs well for signage and large-format applications where clarity and presence matter.
The overall tone is assertive and attention-grabbing, but tempered by rounded forms that feel approachable rather than aggressive. It reads as contemporary and upbeat, with a slightly playful softness that suits energetic branding and bold messaging.
The design appears intended to deliver maximum visual impact with a warm, contemporary personality—combining sturdy, geometric structure with softened curves for approachable display typography.
The typeface maintains a consistent, even color across lines, producing a solid headline texture. Tight counters and heavy curves suggest it will look best with a bit of breathing room (tracking and leading) in longer settings, while remaining highly effective in short bursts of text.