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Stencil Esku 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Beverage Stencil JNL' by Jeff Levine (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, rugged, mechanical, marking, impact, durability, utility, authority, angular, condensed, boxy, segmented, high-contrast.


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A heavy, monoline display face built from tall, squared forms with flattened curves and crisp, straight-sided counters. Stencil breaks are consistent across the set, creating narrow bridges through bowls and joins that emphasize vertical structure. Terminals are blunt and squared, and the overall geometry feels modular and engineered, with slightly condensed proportions and tight internal spacing that keep the texture dense and emphatic. Figures follow the same segmented construction, with clear cut-ins and sturdy silhouettes.

Best suited to large-scale applications such as posters, title treatments, event graphics, product packaging, and warning or wayfinding-style signage. It also works well for branding elements that benefit from an industrial or tactical voice, especially where a bold, high-impact texture is desired.

The tone is hard-edged and functional, evoking industrial labeling, equipment markings, and no-nonsense signage. Its strict geometry and stencil interruptions add a sense of toughness and authority, reading as tactical, mechanical, and purpose-built rather than friendly or decorative.

The design appears intended to translate classic stencil construction into a modern, geometric display style, balancing sturdy legibility with distinctive, repeatable breaks. Its emphasis on verticality, squared curves, and consistent bridges suggests a focus on strong visual presence for marking, labeling, and statement typography.

The stencil joins are prominent enough to remain legible at display sizes while giving the face a distinctive rhythm of vertical splits and notches. Rounded letters retain a squared, chamfered feel, and the overall color on the page is dark and compact, producing strong impact in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸