Sans Superellipse Abbil 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Glober' by Fontfabric, 'FS Matthew' by Fontsmith, 'Engrez' by Indian Type Foundry, 'Foundry Form Sans' by The Foundry, and 'Hedley New' by moretype (names referenced only for comparison).
Keywords: ui labels, product design, signage, editorial text, dashboards, clean, modern, friendly, utilitarian, neutral, system clarity, geometric warmth, everyday legibility, brand neutrality, rounded corners, soft terminals, geometric, even rhythm, open apertures.
A clean sans with superellipse-driven construction: round letters read as rounded-rectangle forms and corners are consistently softened rather than fully circular. Strokes stay even and calm, with straight segments meeting curves in smooth, controlled transitions. Counters are generous and apertures remain open, giving a clear, steady texture in words. The shapes feel slightly squarish in the round characters, while joins and terminals stay simple and unembellished for a straightforward, contemporary look.
This font works well for interface typography, product and packaging systems, and signage where clarity at a range of sizes is important. Its even rhythm and open forms also make it suitable for longer editorial passages, reports, and data-heavy layouts that need a clean, contemporary voice.
The overall tone is modern and approachable, balancing a technical neatness with gentle softness from the rounded corners. It feels neutral and dependable rather than expressive, with a friendly clarity that suits everyday communication.
The design appears intended to deliver a highly legible, system-friendly sans with a distinctive superellipse geometry—adding recognizable softness and structure without sacrificing neutrality. It aims for consistency across letters and numbers so mixed typography remains calm and coherent.
The numerals and capitals maintain the same rounded-rectangle logic as the lowercase, helping mixed content look consistent. Diacritics and punctuation in the sample text appear visually restrained and aligned to the same simple, no-nonsense construction.