Sans Superellipse Bomif 8 is a very light, wide, monoline, upright, tall x-height font.
Keywords: ui design, app interfaces, tech branding, signage, display headings, futuristic, technical, modern, calm, approachable, clarity, precision, modernity, systematic, efficiency, airy, clean, crisp, geometric, minimalist.
This is a thin, monoline sans with a strong rounded-rectangle/superellipse construction across bowls and counters. Corners are consistently radiused, horizontals and verticals stay steady in weight, and curves transition smoothly into straights, giving the design a continuous, engineered feel. Proportions are on the open, extended side, with generous apertures and a clear, even rhythm; diagonals (A, V, W, X, Y) are crisp and spare, contrasting with the soft rectangular rounds in letters like O, D, Q, and the numerals.
It will perform best in interface typography, dashboards, product identity, and technology branding where a clean, engineered tone is desired. The open forms and generous spacing make it suitable for signage, labels, and short-to-medium text in digital contexts, especially at larger sizes where the subtle rounded-rectangle geometry becomes a recognizable signature. It also fits editorial display uses that want a minimal, contemporary atmosphere without heavy visual noise.
The font conveys a clean, technical calm with a slightly futuristic flavor. Its rounded geometry softens the tone, keeping it approachable rather than cold, while the airy strokes suggest refinement and precision. Overall it feels modern, minimal, and quietly distinctive.
The design appears intended for a contemporary geometric voice built from consistent rounded-rectilinear shapes. Its restrained stroke and simplified joins prioritize a sleek, systematic look, while wide openings and straightforward forms aim to keep text legible and orderly. The overall construction suggests a focus on a cohesive, UI-friendly aesthetic that stays distinctive through its superelliptical rounding.
Round forms tend to read as squared-off ovals rather than perfect circles, producing a distinctive ‘soft-rectangular’ texture across words. Several glyphs emphasize straight segments with rounded terminals, and the numeral set mirrors the same rounded-rectilinear logic for a cohesive alphanumeric color.