Inline Pany 7 is a very bold, very wide, high contrast, upright, normal x-height font visually similar to 'Refrankt' by Groteskly Yours, 'Murs Gothic' by Kobuzan, 'Greek Font Set #1' by The Fontry, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, retro, industrial, athletic, playful, punchy, impact, branding, texture, vintage flavor, chunky, inline detail, blocky, rounded, slab-like.
A heavy, wide display face built from chunky, block-like forms with softened corners and a pronounced horizontal stance. Strokes are predominantly straight and geometric, with rounded bowls and broad terminals that read as slab-like. A consistent inline cut runs through the black shapes—sometimes centered, sometimes stepping near an edge—creating a carved, dimensional effect and adding internal rhythm across letters and numerals. Counters are compact and apertures tend to be tight, prioritizing mass and impact over delicacy, while spacing is generous enough to keep the dense shapes from clogging at large sizes.
Best suited to short, high-impact settings such as headlines, posters, storefront-style signage, packaging callouts, and logo wordmarks. It also works well for event graphics and sports or club branding where a loud, confident presence and textured fill are desirable.
The inline carving and oversized proportions give the face a bold, poster-forward personality that feels retro and industrial at once. It suggests classic sign painting, sports lettering, and old-school advertising, with a slightly mischievous, attention-grabbing tone.
The design appears intended to deliver maximum visual weight and width while adding interest through a carved inline that simulates engraving or a highlight. Its simplified geometry and compact counters focus on clarity at display sizes and a distinctive, branded silhouette.
The inline detail introduces strong directional contrast and can read like an engraved highlight, making the shapes feel beveled or shadowed without using outlines. The design is most visually coherent when set large, where the internal cuts remain legible and contribute to texture rather than turning into noise.