Print Nulam 1 is a regular weight, normal width, low contrast, upright, short x-height font.
Keywords: children’s books, posters, packaging, craft labels, social graphics, playful, casual, friendly, hand-drawn, quirky, human warmth, playful display, casual note, handmade feel, approachability, rounded, bouncy, irregular, textured, organic.
A casual hand-drawn print style with rounded forms and visibly uneven stroke edges that suggest marker or brush-pen pressure. Letter construction is simple and open, with soft corners, slightly wobbly curves, and mild baseline and cap-height drift that creates a lively rhythm. Spacing feels loosely set and varies from glyph to glyph, contributing to an informal, sketchbook-like texture in both the uppercase set and the more compact lowercase. Numerals follow the same relaxed, drawn-by-hand logic, with imperfect symmetry and friendly, bulbous bowls.
Well-suited to short-to-medium text where a friendly, informal voice is desired—such as children’s materials, casual posters, DIY and craft branding, café or shop signage, and playful packaging. It can also add a personable tone to social media graphics, invitations, and headers where a hand-drawn feel is more important than typographic neutrality.
The overall tone is approachable and lighthearted, reading like quick handwritten signage or a personal note. Its irregularities add charm and personality, giving text an expressive, human presence rather than a polished typographic voice.
The design appears intended to mimic quick, confident hand lettering with a consistent marker-like stroke, prioritizing warmth and personality over strict geometric precision. Its deliberate irregularity helps text feel spontaneous and conversational, making it ideal for informal display and friendly brand accents.
Uppercase characters are relatively prominent and tend to feel more open and airy, while lowercase letters stay compact with distinctive, simplified shapes. Round letters (O, C, G) and diagonals (K, V, W, X) show the most visible hand variance, which becomes more apparent in longer text where the rhythm intentionally feels unmechanical.