Slab Square Tamaj 6 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Henderson Slab' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, retro, assertive, editorial, industrial, impact, motion, ruggedness, retro display, branding, blocky, slab-serif, square terminals, bracketless, oblique stress.
A heavy, obliqued slab-serif design with broad proportions and compact internal counters. Strokes stay largely even in thickness, with flat, square-ended serifs and terminals that read as sturdy, cut-off blocks rather than tapered calligraphy. Curves are rounded but controlled, and joins are firm and mechanical, giving letters a solid, engineered feel. Spacing appears generous with a wide footprint, and the numerals match the letters’ weight and squareness for a cohesive, billboard-ready texture.
This font suits short, high-impact settings such as headlines, posters, storefront or event signage, and packaging where strong presence is needed. It also fits sports branding and merchandise applications thanks to its energetic slant and robust slab structure. In longer text, it will work best at larger sizes where the dense weight and tight counters can breathe.
The overall tone is confident and punchy, leaning toward vintage sports and mid-century advertising. Its slanted stance adds motion and urgency, while the chunky slabs keep it grounded and forceful. The result feels bold in attitude and slightly nostalgic without becoming decorative or fussy.
The design appears intended to deliver maximum impact with a fast, forward-leaning stance and rugged, square slab details. It prioritizes visibility and punch over delicacy, aiming for a bold, vintage-leaning display voice that still stays structured and typographically disciplined.
The rhythm is dense and dark, with strong horizontal emphasis from the slab terminals, which creates a pronounced stripe-like effect in text. Rounded letters like O and Q remain sturdy rather than delicate, and angular forms such as K, V, W, and X keep a blunt, industrial edge. The set reads consistently across caps, lowercase, and figures, maintaining the same blocky logic throughout.