Sans Normal Ohlov 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Redtone' by 38-lineart, 'Benn Beckman' by Factory738, 'Quicksans' by Image Club, 'Lemon Milk Pro' by Marsnev, 'Glorich' by Sarid Ezra, and 'Fozzy' by VladB (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, signage, friendly, modern, confident, clean, playful, impact, clarity, approachability, modernity, geometric, rounded, high contrast, crisp, sturdy.
A heavy, geometric sans with largely circular bowls, smooth curves, and clean, squared terminals. Strokes are consistently thick and evenly weighted, producing strong silhouettes and high ink coverage. Uppercase forms are broad and stable with simplified construction, while lowercase shows round counters and single-storey shapes (notably the “a” and “g”), reinforcing a contemporary, geometric rhythm. Apertures are generally moderate and counters are generous, giving the design a compact but readable texture in display sizes.
Best suited for logos, brand wordmarks, headlines, posters, and packaging where strong presence and a friendly geometric voice are needed. It also works well for short UI labels or signage at larger sizes, where its thick strokes and simple shapes maintain clarity.
The overall tone feels modern and approachable, with a friendly, upbeat character driven by rounded geometry and soft curves. Its dense weight and simplified forms communicate confidence and clarity, leaning more toward contemporary branding than formal editorial typography.
The design appears intended as a contemporary geometric workhorse for attention-grabbing typography, balancing sturdy, high-impact weight with approachable rounded forms. It prioritizes strong, clean silhouettes that reproduce consistently across display applications.
Diagonal joins and peaks (e.g., in A, V, W, and Y) are sharp and decisive, contrasting with the very round bowls in O, Q, and lowercases like o and e. Numerals are bold and straightforward, with a clear, display-oriented presence and minimal ornamentation.