Outline Ragi 3 is a very light, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, sports branding, playful, retro, sporty, techy, bold, display impact, friendly geometry, graphic outline, brandability, outlined, rounded, blocky, geometric, cartoonish.
A rounded, geometric sans rendered as clean outline contours with open counters and no fill. Letterforms are broad and sturdy in proportion, with softly squared corners, uniform stroke rhythm, and minimal contrast. The caps are squat and expansive, while the lowercase keeps a tall x-height with simple, single-storey constructions and compact joins; numerals follow the same wide, even geometry. Overall spacing and widths feel intentionally generous, producing a big, legible silhouette that reads best at display sizes where the outline can breathe.
Well-suited for large headlines, posters, and punchy logo wordmarks where a hollow outline style can add impact without heavy fill. It can work effectively for packaging, event graphics, and sporty or arcade-leaning branding, especially when paired with solid shapes or color fills behind the type to increase presence.
The outline treatment and inflated proportions give the font an upbeat, attention-grabbing character that feels sporty and slightly retro. Its rounded corners and simplified geometry keep the tone friendly and accessible, while the crisp contour drawing adds a modern, graphic edge.
Likely designed to deliver a high-impact display sans with a friendly, rounded geometry while using an outline-only construction to create a lighter, more flexible graphic footprint. The wide proportions and tall lowercase aim to maximize readability and presence in short phrases and branding applications.
Curves are drawn with consistent radii and flat terminals, and many shapes lean toward softly rectangular bowls rather than true circles. The outline weight is kept delicate relative to the large interior spaces, emphasizing an airy, sign-like look; at small sizes the contour-only construction may visually thin out compared to a filled style.