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Free for Commercial Use

Sans Other Fipi 2 is a very bold, normal width, high contrast, upright, tall x-height font.

Keywords: headlines, posters, logos, game ui, packaging, industrial, sci‑fi, poster, authoritative, mechanical, impact, futurism, branding, signage, systematic, angular, condensed feel, blocky, chiseled, ink-trap hints.


Free for commercial use
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A tall, block-built sans with sharp corners and rectilinear counters. Strokes are heavy and mostly monolinear in spirit, but with conspicuous internal cut-ins and notches that create a high-contrast, chiseled look in places (especially at joins and terminals). Curves are minimized into squared arches and faceted bowls, giving many letters a carved, geometric silhouette. The uppercase is compact and rigid, while the lowercase keeps a tall x-height and simplified forms that maintain the same modular rhythm. Overall spacing reads slightly tight and vertical, with punctuation and numerals drawn to match the same squared, stencil-like construction.

Best suited to short, high-impact settings such as headlines, posters, logotypes, game/interface titles, and bold packaging callouts where its angular construction can read clearly. It can work for signage-style messaging or labels when used with generous tracking and ample size, but it is less comfortable for extended body text due to the dense, notched forms.

The font projects a hard-edged, engineered tone—more machine label and futuristic display than neutral text. Its angular cuts and dense black shapes feel forceful and utilitarian, suggesting warnings, tech interfaces, or industrial branding rather than friendly everyday reading.

The design appears intended to deliver maximum punch with a rigid, geometric system and distinctive cut-in details that differentiate it from standard grotesks. It aims to look manufactured and futuristic—like lettering cut from a solid material—while keeping a consistent, modular rhythm across caps, lowercase, and figures.

Distinctive negative-space shapes (square counters and clipped apertures) are a defining feature, producing strong word images at large sizes but increasing texture and visual noise in longer passages. Diagonals and joins often appear beveled, contributing to a carved/metalwork impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸