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Solid Esfi 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Skate' by DearType, 'D44 Caps' by FSD, 'Armetica' by Hsan Fonts, 'Pop Manta' by Kickingbird, 'MVB Diazo' by MVB, and 'Calps' and 'Kelpt' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, kids media, playful, chunky, retro, cartoony, whimsical, visual impact, retro flavor, humor, chunky display, silhouette forms, rounded, blobby, soft, bulbous, bouncy.


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A heavy, rounded display face built from compact, blobby strokes with softened corners and minimal differentiation between thick and thin. Many forms are simplified to near-silhouettes, with counters that are reduced, pinched, or fully closed, creating a dense, poster-like texture. Curves dominate the construction, terminals tend to be stubby and bulbous, and joins read as molded rather than drawn with a pen. Spacing and widths feel irregular in a deliberate way, producing a wavy rhythm across words and a distinctly novelty-driven silhouette.

Best suited for large-format headlines, posters, logo wordmarks, and packaging where bold silhouettes and a quirky voice are desirable. It can also work well for children’s media, event titles, and retro-themed graphics, particularly in short phrases where the chunky letterforms can carry the message visually.

The overall tone is playful and slightly mischievous, evoking mid-century cartoon titling and toy-like signage. Its inflated shapes and occasional closed counters give it a punchy, humorous presence that reads more as character than as neutral typography.

The design appears intended to maximize visual punch through rounded, high-mass shapes and simplified interiors, prioritizing personality and instant recognition over text readability. Its irregular rhythm and closed forms suggest a deliberate move toward a solid, stamp-like display aesthetic.

The collapsed and minimal counters increase impact but reduce clarity at smaller sizes, especially in letters where interior space is normally a key identifier. The font’s strong black mass and rounded geometry create striking word-shapes, making it most effective when used with generous size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸