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Groovy Kowo 3 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, album art, playful, retro, funky, chunky, whimsical, attention-grab, retro flair, decorative impact, quirky texture, branding voice, rounded, blobby, ink-trap, bulbous, cut-in.


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A heavy, rounded display face with soft, pillow-like contours and pronounced internal cut-ins that create small “pinched” counters and joints. Strokes are broad and compact, but frequently interrupted by narrow necks and teardrop-like notches, producing a high-contrast rhythm between swollen masses and tight apertures. Corners are fully radiused, terminals tend toward blunt pads, and many letters show deliberate inner voids or slots that read like stylized stencil breaks. Overall spacing is fairly open for such dense forms, supporting legibility at larger sizes while keeping a strongly graphic silhouette.

Best suited to large-scale display typography such as posters, splashy headlines, logo marks, packaging front panels, and entertainment or event branding where a bold silhouette is an advantage. It can also work for short, high-impact lines in social graphics or merchandise, but the compact counters and interior cut-ins favor medium-to-large sizes over long body copy.

The tone is upbeat and eccentric, leaning into a nostalgic, party-poster energy with a friendly, cartoony bounce. Its chubby shapes and quirky cutouts suggest a handcrafted, experimental spirit—bold, attention-seeking, and more about personality than restraint.

The likely intent is to deliver a highly distinctive display voice by combining inflated, rounded letterforms with purposeful internal cutouts, creating a rhythmic, groovy texture across words. It aims to be instantly recognizable in branding and promotional contexts, balancing legibility with a deliberately offbeat, decorative construction.

The design maintains consistent blob-and-notch logic across uppercase, lowercase, and numerals, giving the set a unified texture. Counters are often small and rounded, and several glyphs rely on interior slits or isolated holes, so the font’s character strengthens as size increases. The sample text shows a lively baseline rhythm and strong word-shape presence, with distinctive forms for key letters that keep repeated text from looking monotonous.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸