Sans Other Dagak 3 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Miren' by Get Studio (names referenced only for comparison).
Keywords: posters, headlines, packaging, logotypes, kids, playful, retro, quirky, circus, friendly, novelty display, attention grabbing, vintage signage, playful branding, headline impact, chunky, compressed, bouncy, soft-cornered, cartoonish.
This typeface uses heavy, compact letterforms with a noticeably squeezed, vertical stance and a lively, uneven rhythm. Strokes are predominantly monolinear in feel, but with subtle swelling and tapering that creates a hand-cut or poster-like texture. Counters are small and rounded, terminals are mostly blunt, and many curves feel slightly squashed, giving letters a buoyant, rubbery silhouette. Proportions vary from glyph to glyph—especially in the round letters and diagonals—reinforcing an intentionally irregular, display-driven construction.
Best suited for large sizes where its compressed, high-impact shapes can command attention: posters, cover titles, short headlines, branding marks, and packaging. It can also work for playful editorial callouts or children’s-oriented materials, but the dense counters and strong personality make it less appropriate for long-form reading at small sizes.
The overall tone is playful and theatrical, with a vintage novelty flavor that recalls mid-century signage and funhouse or circus advertising. Its quirky modulation and bouncy shapes read as friendly and attention-seeking rather than formal or technical.
The design appears intended as an expressive display sans that prioritizes visual character and immediacy over neutrality. Its slightly irregular construction and compact weight distribution suggest a goal of evoking vintage signage energy while staying bold and readable in short bursts.
Uppercase forms are particularly compact and blocky, while lowercase keeps similarly tight spacing and rounded counters for a cohesive color on the page. Numerals are bold and simplified, matching the same squat, poster-like character, and punctuation (such as the ampersand) follows the same chunky, whimsical logic.