Slab Square Omja 6 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Chaparral' by Adobe and 'Capitolina' by Typefolio (names referenced only for comparison).
Keywords: body text, editorial, book design, magazines, packaging, traditional, sturdy, bookish, institutional, readability, authority, classic tone, editorial utility, slab serif, bracketed serifs, ball terminals, generous counters, clear rhythm.
A sturdy slab serif with pronounced, mostly squared serifs and confident, even stroke weight. Serifs read as bold and supportive, with subtle bracketing that softens joins into stems and lends a steady, book-type rhythm. Uppercase forms are relatively broad and formal, while the lowercase shows compact, workmanlike shapes with solid vertical stress and open counters. Details like the two-storey a and g, a single-storey g with a distinct ear, and a ball terminal on f add a slightly old-style flavor within an otherwise structured, squared framework.
Well-suited to body text and longer editorial settings where a stable rhythm and clear letterforms are important. It can also work effectively for headlines, pull quotes, and packaging or labeling that benefits from a sturdy, classic slab-serif voice.
The overall tone is dependable and traditional, with a calm editorial presence. It feels authoritative without being overly ornate, balancing utilitarian clarity with a touch of heritage warmth. The heavy serifs and measured proportions give it an institutional, print-first character that reads as confident and grounded.
The design intention appears to be a readable, print-oriented slab serif that delivers clarity and authority while retaining approachable, slightly traditional details. Its robust serifs and consistent color suggest a focus on dependable performance across paragraphs and typographic systems.
Numerals appear sturdy and clear, with strong slab-like footings and consistent weight that supports legibility in running text. Round letters (C, O, Q) maintain smooth curves against the firm serif treatment, producing a pleasing contrast between softness in bowls and firmness at terminals. Spacing and rhythm in the sample text suggest the design is optimized for continuous reading rather than display-only use.