Slab Contrasted Ibpy 13 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Bluteau Slab' by DSType, 'FF Milo Slab' by FontFont, 'Prelo Slab Pro' by Monotype, 'Metronic Slab Pro' by Mostardesign, 'Exo Slab Pro' by Polimateria, 'Quadon' by René Bieder, and 'Palo Slab' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, retro, sporty, assertive, editorial, playful, impact, motion, display, branding, nostalgia, slab serif, bracketed serifs, rounded corners, ink-trap feel, heavy terminals.
A heavy, right-leaning slab serif with compact counters, broad proportions, and sturdy, bracketed serifs. Strokes are largely uniform with only slight modulation, and the joins and corners read softly rounded, giving the shapes a carved, inked look rather than a sharp geometric one. The lowercase shows robust bowls and a single-story "a" and "g" with a strong forward rhythm, while numerals are blocky and stable with wide footprints and emphatic slabs.
Best suited to large-size settings where its bold slabs and slanted stance can carry impact—headlines, poster titling, sports and event graphics, and punchy packaging or signage. It can work for short subheads or pull quotes, but dense body copy may feel heavy unless set with ample spacing.
The overall tone is confident and energetic, blending vintage sign-painting and sports headline flavor with an editorial, attention-grabbing presence. Its friendly rounding keeps the weight from feeling harsh, adding a slightly playful, approachable edge to the bold voice.
The design appears intended as a bold, italic display slab that prioritizes immediacy and recognizability, pairing wide, sturdy letterforms with softened details for a more friendly, contemporary take on classic athletic and advertising typography.
The italic angle is pronounced and consistent, creating a fast, forward motion that works especially well in short bursts. Tight inner spaces in letters like "a", "e", and "s" increase visual density, so the face reads best when given breathing room through generous tracking and line spacing.