Sans Faceted Idmun 5 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, posters, headlines, packaging, futuristic, technical, geometric, minimalist, sci-fi, digital aesthetic, geometric system, futurist branding, technical labeling, angular, octagonal, chamfered, wireframe, crisp.
A sharply geometric sans with faceted construction: curves are replaced by straight segments and small chamfered corners, producing an octagonal, engineered feel. Strokes are consistently thin and even, with open counters and a clean, airy texture in text. Proportions are compact and streamlined, with rounded forms like O/C/G/Q rendered as multi-sided outlines and diagonals used sparingly but decisively in letters such as A, K, V, W, X, and Y. Terminals are typically flat, and the overall rhythm is precise and modular, prioritizing clear structure over calligraphic nuance.
Well-suited for interface labels, tech-oriented branding, and short-form display settings where a precise, futuristic voice is desired. It also works for posters, titles, and packaging that benefit from a geometric, faceted signature; for longer text, its very thin strokes suggest using generous sizes and spacing for best clarity.
The font reads as futuristic and technical, evoking digital interfaces, instrumentation, and schematic labeling. Its faceted geometry lends a cool, synthetic tone—more engineered than expressive—while the fine stroke weight keeps it sleek and understated.
The design appears intended to translate a modular, faceted drawing system into a readable sans, maintaining monoline consistency while expressing “curves” through planar segments. The goal seems to be a clean, sci-fi-leaning look that stays orderly and legible in headings and UI-style text.
Distinctive chamfers at corners create a consistent “cut” motif across both uppercase and lowercase, helping maintain coherence between straight-sided and rounded letters. Numerals follow the same faceted logic (notably the multi-segment 0 and the angular 2/3/5), reinforcing a systemized, display-friendly aesthetic.