Sans Other Ibry 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Aaux Next' by Positype and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, stencil-like, techno, modular, utilitarian, distinctive texture, stencil motif, futuristic branding, impact display, systematic geometry, cutout crossbars, ink-trap notches, geometric, high contrast apertures, compact curves.
A heavy, geometric sans with consistent stroke weight and frequent horizontal cut-ins that create a stencil-like rhythm across many letters. Round forms are built from near-circular bowls with abrupt, squared terminals, while verticals are straight and sturdy, giving the design a modular, constructed feel. Several glyphs show deliberate gaps or notches through the midline or at joins, producing strong internal contrast and distinctive counters. The lowercase is compact with simple, single-storey forms (notably a, g) and short, sturdy extenders, and the numerals follow the same cutout logic for a highly graphic, uniform texture.
Best suited to headlines, posters, and brand marks where the cutout/stencil motif can be a defining graphic element. It can also work for packaging and signage, especially in tech, industrial, or gaming contexts, where bold shapes and strong silhouettes matter more than long-form readability.
The overall tone is industrial and engineered, suggesting signage, machinery, or sci‑fi interface labeling. The repeated cutouts read as functional detailing, adding a slightly futuristic, coded aesthetic while keeping a blunt, utilitarian voice.
The design appears intended to merge a straightforward sans foundation with a distinctive system of midline breaks and notches, creating a recognizable stencil-meets-tech texture. The goal seems to be immediate impact and a coded, engineered personality rather than neutral text setting.
The midline interruptions can reduce continuity in running text but create a memorable patterning at display sizes. Wide circular letters (O, Q) and the sharply constructed diagonals (V, W, X) amplify the mechanical, assembled character of the design.