Sans Faceted Kage 1 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, packaging, ui display, futuristic, techy, industrial, sporty, retro sci‑fi, sci‑fi styling, mechanical feel, brand impact, display clarity, chamfered, angular, planar, geometric, squared counters.
A wide, geometric sans with a monoline skeleton and a distinctly faceted construction: curves are replaced by shallow planar cuts and chamfered corners, producing octagonal, squared-off bowls and apertures. Strokes maintain consistent thickness while terminals are blunt and slightly beveled, giving forms like C/O/S a hard-edged, machined feel. Proportions are broad with a tall lowercase presence; counters tend to be compact and horizontally oriented, and several joins and diagonals (K, N, X, Y) emphasize crisp angles over smooth transitions. Numerals follow the same faceted logic, with 0–9 built from flattened arcs and sharp interior cuts that keep the set visually cohesive.
Best suited for display sizes where the faceted detailing and wide geometry can be appreciated—headlines, logos, product names, posters, and tech or gaming UI labels. It can also work for short blocks of copy in branded materials, but its strong stylization favors emphasis text over long-form reading.
The overall tone is futuristic and engineered, evoking sci‑fi interfaces, industrial labeling, and performance branding. Its angular rhythm and wide stance read as confident and assertive, with a cool, technical personality rather than a conversational one.
The font appears designed to deliver a modern, manufactured look by translating rounded forms into planar facets, creating a consistent “cut-metal” geometry that feels contemporary and sci‑fi aligned. Its broad proportions and compact counters prioritize impact and recognizability in display contexts.
The design leans on repeated bevel motifs (especially in rounded letters and in the S-like shapes), creating strong stylistic unity across cases and figures. The lowercase maintains the same geometric language as the uppercase, and the dot on i/j is a simple square, reinforcing the constructed, modular aesthetic.