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Free for Commercial Use

Inline Ukpe 3 is a very bold, wide, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, game ui, album art, industrial, glitchy, tech, brutalist, arcade, display impact, digital texture, industrial feel, distressed effect, modular system, boxed, modular, angular, stenciled, fragmented.


Free for commercial use
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This typeface is built from blocky, squared forms with a consistent, boxed footprint and sharp right-angle geometry. Strokes read as heavy slabs that are interrupted by carved-out interior channels and small rectangular cutouts, creating a layered, hollowed look with strong figure/ground play. Counters are often reduced to window-like apertures, and many glyphs include irregular internal notches that make the silhouettes feel intentionally fractured. Spacing appears compact and mechanically regular, while widths vary between narrow and wider characters without breaking the overall gridlike rhythm.

Best suited to short, high-impact settings where the carved interior pattern can be appreciated—posters, headlines, branding marks, game or tech-themed UI titles, packaging callouts, and album/cover typography. It can also work as a display accent paired with a simpler text face to avoid overloading long passages.

The overall tone feels industrial and digital—like signage assembled from modular plates, or an arcade/terminal display that has been distressed or “corrupted.” The inline-like cutouts and broken interior detailing add a glitchy, dystopian edge, balancing playful pixel-energy with a hard, utilitarian presence.

The design appears intended as a display face that transforms simple block capitals into a textured, hollowed system through inset channels and stencil-like breaks. Its construction suggests a goal of combining modular, industrial letterforms with a distinctive internal pattern that reads as both engineered and intentionally distressed.

The design relies on crisp, high-contrast black-and-white construction where interior cut lines and apertures do much of the visual work. At smaller sizes the internal detailing may visually merge, while at larger sizes it becomes a distinctive texture that reads as engineered and decorative rather than purely functional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸