Font Hero

Free for Commercial Use

Bubble Ahbi 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Bublah' by IbraCreative, 'Sebino Soft' by Nine Font, and 'Merge Pro' by Philatype (names referenced only for comparison).

Keywords: children’s books, packaging, posters, stickers, party invites, playful, friendly, bouncy, kidlike, cheerful, headline impact, friendly tone, whimsy, approachability, character display, rounded, soft, chubby, blobby, cartoonish.


Free for commercial use
Customize the font name

A heavily rounded display face with inflated, pillow-like strokes and fully softened terminals. Counters are small and often teardrop or oval, reinforcing the squishy, bubble construction. The outlines feel hand-formed rather than geometric, with subtle irregularities and lively rhythm across the alphabet. Curves dominate with minimal sharp angles, producing compact silhouettes that read as chunky and inviting.

Best suited for short, attention-grabbing copy such as packaging logos, children-oriented headlines, posters, stickers, and playful social graphics. It can also work for event materials (birthdays, fairs, school activities) where a friendly, informal voice is desired. Use at display sizes to preserve clarity in the small counters and dense shapes.

The overall tone is lighthearted and approachable, with a toy-like, cartoon sensibility. Its buoyant forms suggest fun, snacks-and-stickers energy, making the text feel informal and upbeat. The irregular, puffy shapes add a sense of personality and spontaneity rather than strict precision.

The design appears intended to deliver a bold, cuddly headline look with a hand-shaped feel—more like inflated marker lettering than a rigid type system. Its goal is to prioritize character and warmth over typographic neutrality, creating immediate visual charm and approachability.

The heaviest areas tend to cluster at curves and joins, giving letters a slightly wobbly, organic presence. Round letters (like O, Q, and 8) become near-blob shapes, while straighter constructions (like E and T) stay soft and padded, keeping the style consistent. Legibility holds best at larger sizes where the small counters and tight interior spaces can open up visually.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸