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Free for Commercial Use

Distressed Jeny 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Olpal' by Bunny Dojo, 'Fritz Display' by Designova, 'Ephemera Nickson Pro One' by Ephemera Fonts, 'Gotham' by Hoefler & Co., 'Fort Yukon' by Larin Type Co, 'Prelo Compressed' by Monotype, 'Cervino' by Typoforge Studio, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, book covers, halloween, vintage, playful, spooky, hand-printed, rugged, aged print, poster impact, thematic tone, retro feel, roughened, blunt, chunky, tight-set, worn.


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A heavy, compact display face with blunt terminals, slightly flared strokes, and subtly uneven contours that suggest worn type or rough printing. Curves are squarish and compressed, counters are relatively small, and joins feel sturdy rather than delicate. The silhouette shows gentle irregularities along edges and in interior shapes, creating a tactile, stamped texture while keeping letterforms clear at headline sizes. Overall spacing appears tight, with an assertive, blocky rhythm across uppercase, lowercase, and numerals.

Best suited for short to medium display settings such as posters, event flyers, book covers, and bold packaging labels where the rough texture can read clearly. It works well for themed titles and signage—especially retro, carnival, western-leaning, or seasonal/spooky concepts—where a distressed, printed look adds character. For long text or small sizes, the dense counters and heavy texture may reduce legibility.

The font conveys an old-time, hand-printed atmosphere with a mischievous edge—part circus poster, part pulp title card. Its distressed texture reads as aged and analog, giving text a lively, slightly spooky character without becoming chaotic. The tone feels bold and attention-seeking, suited to designs that want grit and personality over refinement.

Likely designed to emulate a robust, vintage display cut with the imperfections of aged metal type or imperfect inking. The goal appears to be high-impact lettering with a tactile, analog feel—delivering character and theme quickly through bold shapes and controlled distressing.

Uppercase forms lean toward condensed poster proportions, while lowercase keeps a sturdy, compact build with simple, workmanlike shapes. Numerals are thick and prominent, matching the same worn, blunt construction, which helps maintain a consistent voice in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸