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Sans Superellipse Felor 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Coastal' by Arkitype, 'Cord Nuvo' by Designova, 'Masifa Rounded' by Hurufatfont, 'Entropia' by Slava Antipov, 'Denso' by Stefano Giliberti, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, urgent, assertive, dynamic, industrial, impact, speed, space-saving, attention-grab, condensed, oblique, heavy, blocky, rounded corners.


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A heavy, condensed oblique sans with compact, rectangular counters and softened (superellipse-like) curves. Strokes are thick and largely uniform, creating dense black shapes and a punchy texture in lines of text. Curves and joins stay tight and controlled, with squared-off terminals and rounded corners that keep the forms sturdy rather than soft. The lowercase shows a tall, prominent body with short extenders, and the numerals match the same compressed, muscular build for consistent rhythm across mixed settings.

Best suited for short, high-impact text such as headlines, posters, campaign graphics, sports and fitness branding, and packaging callouts where a dense, energetic presence is desirable. It also works well for signage-style emphasis and bold labels, especially when set with generous tracking and ample line spacing to maintain clarity.

The overall tone is forceful and energetic, with a forward-leaning slant that reads as fast and competitive. Its dense weight and condensed proportions feel utilitarian and no-nonsense, suggesting motion, impact, and high visibility.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a strong oblique stance with compact, rounded-rectilinear forms for a modern, performance-oriented look. It prioritizes punchy display readability and a consistent, robust texture across letters and figures.

At display sizes the letterforms hold together as bold, compact silhouettes; in paragraph-like samples the darkness and tight internal spaces can build a strong, emphatic color. The oblique angle is pronounced enough to be a defining feature, so it naturally pushes compositions toward a sense of movement and urgency.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸