Sans Superellipse Jidod 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Crubster' by Joey Maul (names referenced only for comparison).
Keywords: headlines, logo, branding, posters, packaging, techy, futuristic, industrial, playful, display impact, tech aesthetic, brand stamp, geometric system, rounded corners, square forms, geometric, modular, compact counters.
A heavy geometric sans with a modular, rounded-rectangle construction and consistently softened corners. Strokes are thick and fairly uniform, with counters tending toward squared apertures and compact interior space. Curves are handled as superelliptical bends rather than true circles, producing boxy bowls in letters like O and Q and a squared, open C. The lowercase is sturdy and simplified, with short terminals, a squared shoulder in n/m, and a single-storey a; numerals follow the same rounded-square logic with clear, blocky silhouettes.
Best suited to display roles such as headlines, wordmarks, brand marks, packaging, and poster typography where its bold, modular geometry can define the visual identity. It can also work well for UI titles, signage, or game/tech themed graphics when used with ample size and spacing to preserve counter clarity.
The overall tone reads contemporary and tech-forward, with a confident, engineered feel. Its rounded-square geometry adds a friendly, game-like personality while still feeling industrial and purposeful. The dense, chunky forms suggest impact and toughness rather than delicacy.
The design appears intended to deliver a distinctive rounded-square, sci‑fi/industrial voice with strong presence and immediate recognizability. It prioritizes graphic impact and consistent geometric construction, offering a cohesive system for caps, lowercase, and figures.
Tight counters and pronounced mass make the face feel strongest at larger sizes, where the internal shapes stay distinct. The distinctive rounded-square bowls and notched joins create a recognizable texture in headlines and logos, and the glyph set maintains a consistent modular rhythm across letters and numerals.