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Shadow Upry 1 is a very light, very wide, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, logotypes, ui accents, futuristic, technical, sleek, experimental, neon, sci‑fi ui, dimensionality, constructed forms, lightweight impact, monolinear, inline, stenciled, segmented, geometric.


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This font uses extremely thin, monoline strokes with deliberate breaks and cut-ins that turn each character into a segmented outline. Many glyphs mix straight, rectangular terminals with smooth arcs, producing a crisp geometric feel while keeping counters open and airy. A consistent offset “shadow” line or secondary stroke appears as a detached echo on corners and curves, creating depth without adding weight. Spacing and forms feel wide and open, with simplified joins and frequent micro-gaps that emphasize a constructed, modular drawing logic.

Best suited for large-size applications where the thin lines and segmented details can be appreciated: headlines, posters, tech-forward branding, logotypes, and interface accents. It can work well over clean backgrounds or in situations that benefit from a light, neon-like presence, while small sizes or noisy backdrops may reduce clarity.

The overall tone is futuristic and instrument-like, evoking digital displays, sci‑fi interfaces, and precision hardware labeling. The shadowed inline effect adds a sleek, luminous quality—more like a light-trace or etched marking than a solid printed letterform—giving it an experimental, high-tech mood.

The design intention appears to be creating a lightweight, wide, constructed alphabet that feels engineered and contemporary, using hollowed segmentation and an offset shadow to imply depth and motion without increasing stroke weight. The systemized gaps and echoed strokes suggest a deliberate “display tech” aesthetic aimed at distinctive, modern titling.

In text, the repeated cutouts and shadow offsets create a lively rhythm, but the fine strokes and frequent interruptions make the design feel more like a display face than a workhorse text font. Curved letters (C, G, O, S) show the effect particularly clearly, with the detached shadow enhancing motion and dimensionality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸