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Free for Commercial Use

Sans Normal Odbal 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Lemon Milk Pro' by Marsnev, 'Devinyl' by Nootype, 'Gilroy' by Radomir Tinkov, and 'Gravita' by TipoType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, bold, retro, approachable, impact, approachability, clarity, display, rounded, soft, chunky, geometric, compact.


Free for commercial use
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This typeface uses heavy, rounded, geometric construction with smooth, continuous curves and low-contrast strokes. Counters are generally generous and circular, with terminals and joins kept blunt and clean for a compact, sturdy silhouette. The lowercase shows simplified, single-storey forms (notably a and g) and short, sturdy ascenders/descenders, while the uppercase maintains broad, even rhythm with softened corners. Figures are similarly rounded and weighty, designed to read as solid shapes at display sizes.

This font performs best in headlines and short text where its rounded mass and strong silhouettes can work as a graphic element. It’s a strong choice for branding, packaging, and signage that benefits from a friendly, high-impact voice, and it can add warmth and clarity to UI labels or callouts when used with ample spacing.

The overall tone is upbeat and approachable, with a soft, rounded geometry that feels contemporary yet slightly retro. Its dense weight and smooth curves project confidence and friendliness rather than strict formality, making it well suited to expressive, attention-getting typography.

The design appears intended to deliver maximum impact with a soft, welcoming feel, combining geometric roundness with compact, sturdy proportions. It prioritizes clear, iconic letterforms and a consistent rhythm to stay legible and characterful in large-scale applications.

Round letters like O, Q, and G emphasize near-circular bowls, and the Q features a short, angled tail that stays integrated with the overall chunky style. The italicless, upright stance and consistent stroke treatment keep the texture even in longer lines, while the large shapes can visually fill space quickly in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸