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Free for Commercial Use

Sans Other Vewi 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, 'Core Sans C' by S-Core, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, industrial, stenciled, technical, retro, utilitarian, industrial feel, stencil effect, display impact, graphic texture, rounded, segmented, notched, blocky, geometric.


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A heavy, rounded sans with a stencil-like construction built from chunky modules and deliberate cut-ins. Letterforms are largely geometric, with softened corners and broad, even strokes that maintain a solid, poster-friendly color. Many glyphs feature consistent horizontal breaks or small internal notches that create a segmented rhythm, while bowls and counters are simplified and open enough to remain legible at display sizes. The overall spacing feels sturdy and compact, with a mechanical regularity that emphasizes silhouette over fine detail.

Best suited to display settings such as posters, big headlines, logotypes, packaging panels, and signage where the stencil segmentation can read clearly. It can also work for labels, product markings, and graphic systems that benefit from a rugged, engineered texture.

The repeated breaks and target-like openings give the type a technical, industrial voice—suggesting labeling, machinery, and engineered systems. Its bold presence reads assertive and functional, while the rounded geometry adds a slightly playful, retro-futuristic edge.

The design appears intended to merge a bold geometric sans foundation with a consistent stencil/segmented treatment, producing a distinctive industrial look that stays readable and cohesive in large-format typography.

Several characters use distinctive internal apertures and split strokes that can become defining visual motifs in headlines and logos. Because the stencil gaps are prominent, the design’s personality intensifies as size increases, while smaller sizes may trade nuance for texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸