Sans Superellipse Igly 2 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, packaging, techno, industrial, retro, sporty, arcade, impact, tech tone, branding, display, geometric cohesion, squared-round, blocky, compact, geometric, soft-cornered.
A heavy, blocklike sans with squared proportions softened by large rounded corners and superellipse-style curves. Strokes are consistently thick with minimal modulation, and counters tend toward rounded rectangles, producing a compact, high-impact texture. Terminals are mostly straight and blunt, with frequent inset notches and cut-ins that sharpen joins and create a mechanical rhythm. The overall silhouette is wide and stable, with tight apertures and sturdy bowls that keep forms dense and strongly unified across upper- and lowercase and numerals.
Best suited to attention-grabbing display roles such as headlines, posters, and logo wordmarks where its dense geometry can read as a deliberate style. It also fits sports branding, packaging, and product/tech labeling that benefit from a sturdy, engineered look. For longer text, it will perform better in short bursts (taglines, UI labels, signage) at larger sizes with mindful tracking.
The tone is bold and assertive with a distinctly techno-industrial flavor. Its rounded-rectangle geometry reads retro-futuristic—evoking arcade graphics, sports branding, and utilitarian equipment labeling—while the softened corners keep it approachable rather than aggressive.
The letterforms appear designed to deliver maximum impact through a cohesive rounded-rectangle construction, combining blunt industrial structure with softened corners. The repeated notch and inset details suggest an intention to create a distinctive, machine-made voice that remains legible and consistent across the character set.
The design leans on consistent corner radii and rectangular counters, which gives it strong repeatable patterning in text. The sample shows clear word shapes at display sizes, though the tight apertures and dense interiors suggest it’s best when given generous size and spacing to avoid dark, closed-in color.