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Free for Commercial Use

Sans Superellipse Gadah 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'PODIUM Sharp' by Machalski, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, punchy, industrial, loud, impact, speed, modernity, power, branding, oblique, compressed feel, rounded corners, slanted terminals, blocky.


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A heavy, obliqued sans with thick, low-contrast strokes and compact internal counters. Forms are built from squarish, superelliptical geometry with prominently rounded corners, giving curves a soft-rectangular feel rather than circular. The slant is consistent across caps, lowercase, and figures, with endings cut on a diagonal that emphasizes forward motion. Widths vary by glyph, but the overall rhythm stays dense and sturdy, and the numerals share the same chunky, squared-off construction.

Best suited to big, attention-grabbing applications such as headlines, posters, sports and fitness branding, and bold packaging callouts. It can also work for short UI labels or signage where a compact, high-impact italic is desired, but it will be most effective when given room and size for its counters to stay clear.

The overall tone is forceful and energetic, with a forward-leaning, action-oriented presence. Its blocky massing and squared rounding read as athletic and utilitarian, lending a confident, no-nonsense voice that feels suited to high-impact messaging.

The design appears intended to deliver maximum impact in an italicized, contemporary sans voice, combining squared-round construction with strong diagonals to suggest speed and momentum. It prioritizes solid color on the page and clear, repeatable geometry for assertive display typography.

The uppercase set appears more uniform and sign-like, while the lowercase introduces more distinctive silhouettes (notably in letters like a, g, and t) that keep the texture lively in longer lines. Tight apertures and smaller counters increase the sense of weight and make the design feel optimized for bold display rather than delicate settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸