Sans Other Tihi 17 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, techno, art deco, architectural, futuristic, mechanical, compactness, display impact, modernist styling, technical tone, signage clarity, condensed, rectilinear, geometric, angular, modular.
A tall, condensed sans with a strict rectilinear construction and consistent monoline strokes. Forms are built from straight verticals and horizontals with frequent squared corners and occasional chamfered/diagonal joins, giving many curves (like C, G, S) a faceted, boxed feel. Counters tend to be narrow and rectangular, terminals are clean and abrupt, and the overall rhythm is rigid and columnar with tightly controlled spacing and a modular, grid-like consistency across caps, lowercase, and numerals.
Best suited to display settings such as headlines, posters, logotypes, packaging, and wayfinding where a tall, high-impact condensed style is desired. It can work well for tech, sci‑fi, and industrial-themed branding, and for titling where a strong vertical presence helps fit long words into tight horizontal space.
The tone is sleek and engineered, evoking signage, machinery, and early-modernist or Deco-inspired display lettering. Its narrow proportions and hard angles read as futuristic and urban, with a cool, disciplined personality rather than a casual or friendly one.
The design appears intended to deliver a compact, attention-grabbing sans with a modular, rectilinear aesthetic. By emphasizing straight strokes, squared counters, and a disciplined vertical rhythm, it aims to project precision and modernity while remaining legible in short-to-medium text lines at larger sizes.
Distinctive details include squared bowls and apertures, a sharply notched or segmented feel in several joins, and numerals that echo the same tall, linear geometry for a cohesive set. The texture stays crisp at larger sizes, where the internal corners and narrow counters become part of the visual character.
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