Sans Other Ohbu 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts and 'FF Mach' by FontFont (names referenced only for comparison).
Keywords: posters, headlines, logos, game ui, sports branding, industrial, arcade, stencil-like, brutalist, techno, impact, futurism, signage, systematic geometry, ruggedness, angular, squared, chiseled, sharp, blocky.
A heavy, angular sans with squared bowls and hard, chamfered corners that give the letterforms a cut-out, plate-built feel. Strokes maintain a largely consistent thickness, while interior counters often become polygonal and tightly enclosed, producing dense silhouettes. Joins and terminals tend to be flat or sharply clipped, and many curves are minimized into straight segments, creating a rigid, geometric rhythm. Lowercase and numerals follow the same faceted construction, with compact apertures and a strongly mechanical overall texture in text.
Best suited for short, high-impact settings such as posters, headlines, esports or sports-style branding, logos, and game/tech interfaces where a rugged geometric voice is desired. It can work for large-format signage or packaging accents, but will be most comfortable at display sizes where the tight counters remain clear.
The tone is forceful and synthetic, evoking arcade-era display lettering, industrial signage, and game UI typography. Its aggressive angles and compact counters read as utilitarian and high-impact, with a slightly dystopian, techno edge.
The design appears aimed at delivering a compact, high-contrast presence through faceted geometry and clipped terminals, translating a mechanical, industrial aesthetic into a cohesive all-caps-forward system with matching lowercase and numerals.
In longer lines, the tight counters and reduced apertures increase darkness and visual pressure, especially around round letters and complex shapes like S, B, and 8. The design’s consistent corner-cut motif helps maintain cohesion across caps, lowercase, and figures, making it feel intentionally systemized rather than handmade.