Sans Other Wiwy 1 is a very bold, wide, very high contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, packaging, futuristic, techno, industrial, angular, mechanical, sci-fi branding, interface feel, impact display, modular construction, distinctive titling, stencil-like, octagonal, modular, squared, sharp.
A geometric display sans built from blocky, modular strokes with hard, chamfered corners and frequent cut-ins that create stencil-like counters. Horizontal bars are often segmented, producing distinctive breaks in letters like E, F, S, and 3, while bowls and rounds resolve into octagonal forms (notably O/0 and Q). Stroke joins stay crisp and rectilinear, with occasional narrow verticals and wedge-like terminals that add a constructed, machine-part feel. Spacing and widths vary noticeably across glyphs, reinforcing an engineered, logo-like rhythm rather than a text-centric one.
Best suited to display applications such as headlines, branding marks, poster titles, game or sci‑fi interface graphics, and bold packaging callouts. It can work for short bursts of copy where its segmented construction is a feature, but extended small-size text may lose clarity as the gaps and tight counters accumulate.
The overall tone is sci‑fi and industrial, evoking digital interfaces, arcade-era graphics, and engineered hardware. Its sharp angles and deliberate gaps read as tactical and high-tech, with an assertive, mechanical energy that suits speculative or action-oriented themes.
The design appears intended to deliver a constructed, futuristic sans with a modular, stencil-like logic—combining faceted geometry and deliberate stroke interruptions to create a distinctive techno voice for titles and identity work.
Several glyphs lean on distinctive structural motifs: a triangular/wedge apex appears in forms like A and the lowercase l-like glyph, while the Q adds a pronounced diagonal/leg element. Numerals are strongly stylized, with 0/8 taking on faceted, frame-like shapes and 2/3/5/6 using segmented horizontal strokes. The sample text shows best clarity at larger sizes where the internal breaks and tight apertures remain legible.