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Free for Commercial Use

Cursive Piday 2 is a light, normal width, medium contrast, italic, very short x-height font.

Keywords: invitations, branding, packaging, social media, quotes, casual, friendly, lively, personal, playful, handwritten feel, expressive script, casual branding, quick notes, brushy, looping, slanted, airy, monoline.


Free for commercial use
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A slanted, handwritten cursive with a brush-pen feel and an airy rhythm. Strokes are mostly smooth and continuous with gently tapered terminals and occasional thicker downstrokes that add calligraphic movement without becoming bold. Letterforms are narrow-to-open depending on the glyph, with loose spacing and a baseline that feels lightly buoyant rather than strictly rigid. Ascenders are prominent and looped in places, while lowercase bodies stay compact, creating a high ascender-to-body ratio and a quick, note-like texture in text.

Well suited for invitations, greeting cards, personal branding, and lifestyle packaging where an authentic handwritten voice is desired. It performs best in short to medium text lines—quotes, captions, product names, and headlines—where its flowing cursive and lively stroke rhythm can be appreciated. For smaller UI or dense editorial text, larger sizes and generous tracking help maintain clarity.

The overall tone is informal and personable, like quick but confident handwriting. It reads friendly and lively, with just enough flourish in loops and swashes to feel expressive without turning ornamental. The slant and soft terminals give it an approachable, conversational character.

Designed to emulate natural cursive handwriting with a fast, brush-pen cadence—expressive, legible, and slightly polished. The intention appears to balance everyday informality with consistent letter shaping so it can function reliably in display and branding contexts.

Capitals vary between simplified stroke constructions and more embellished forms, giving headings a spontaneous, handwritten charm. Numerals follow the same pen-driven logic, with rounded curves and light entry/exit strokes that keep them consistent with the alphabet. The texture remains clean and legible at display sizes, while the compact lowercase can feel delicate in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸