Script Itruf 12 is a regular weight, very narrow, high contrast, upright, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, whimsical, refined, vintage, hand-lettered feel, formal elegance, decorative display, signature style, calligraphic, looped, flourished, swashy, tall.
A formal script with tall, slender letterforms and pronounced thick–thin modulation. Strokes behave like a pointed-pen or brush-inspired hand: hairline entry strokes swell into rounded downstrokes, then taper into fine terminals. Capitals feature generous loops and occasional swashes, while lowercase forms keep a consistent, flowing rhythm with compact bowls and frequent teardrop-like joins. Overall spacing is relatively tight, and the narrow proportions create a vertical, graceful texture in words and lines of text.
This script is best used at display sizes for wedding suites, event stationery, greeting cards, boutique branding, product labels, and short headlines where its contrast and flourishes can remain crisp. It works well for names, quotes, and prominent titling; for longer passages, generous size and line spacing help preserve readability.
The font reads as polished and expressive, balancing a classy, invitation-like tone with a light, playful charm from its curled terminals and looping caps. Its contrast and flourishes lend a slightly nostalgic, boutique feel—suited to designs meant to feel personal, celebratory, and handcrafted.
The design appears intended to mimic refined hand lettering with a calligraphic tool, emphasizing elegance through narrow proportions, high contrast, and decorative capitals. It prioritizes personality and decorative rhythm over utilitarian text setting, aiming to add a handcrafted, premium finish to display typography.
Numerals follow the same calligraphic logic, mixing rounded forms with tapered entry/exit strokes for continuity with the letters. The script appears only loosely connected in running text, with many letters behaving as standalone forms that still maintain a cursive cadence through consistent slantless flow and repeated terminal shapes.