Sans Superellipse Bonub 5 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui, headlines, posters, branding, packaging, minimal, airy, modern, precise, calm, clarity, modernism, geometric system, approachability, design-forward, monoline, rounded, geometric, superelliptic, clean.
A monoline sans built from rounded, superellipse-like curves and straight segments, with generous counters and smooth joins. The geometry feels disciplined and consistent, pairing soft corners with crisp horizontals and verticals for a refined, minimal rhythm. Letterforms stay open and uncluttered, with simple terminals and a controlled, even texture across both uppercase and lowercase. Numerals and round characters maintain the same rounded-rectangle logic, producing a tidy, contemporary silhouette in text.
Well-suited to interface and product typography where a clean, modern voice and open shapes are desirable. It also performs nicely for editorial headlines, posters, and brand identities that want a minimal, design-forward aesthetic. The consistent geometry and rounded construction make it a good fit for tech, lifestyle, and contemporary packaging systems.
The tone is understated and contemporary, with a light, airy presence that reads as clean and deliberate rather than expressive. Its softened geometry gives a friendly, approachable edge while still feeling technical and precise. Overall it suggests modern design, clarity, and restraint.
The design appears intended to deliver a modern geometric sans that feels both precise and approachable, using superellipse-based curves to differentiate it from purely circular geometrics. Its restrained detailing and open forms prioritize clarity, consistency, and a sleek contemporary texture in display and short-to-medium text.
Round forms (like O, C, G, and e) lean toward superelliptic shapes rather than perfect circles, helping create a distinctive “soft-rectangular” personality. Diagonals are fine and crisp in letters like V, W, X, and Y, and the punctuation/figures follow the same restrained, minimal construction for a cohesive set.