Sans Other Ufroz 2 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: branding, headlines, posters, ui, packaging, futuristic, minimal, playful, techy, elegant, distinctive display, futurism, geometric clarity, systemic construction, rounded, geometric, hairline, open counters, stencil-like.
A hairline, rounded sans with a clean monoline stroke and frequent intentional gaps that create a segmented, almost stencil-like construction. Curves are smooth and circular (notably in C, O, S), while horizontals are often abbreviated or detached, producing airy counters and a light, precise rhythm. Terminals are consistently rounded, and several forms use simplified, geometric gestures—such as the peaked A, open E/F arms, and a compact, looped g—resulting in a distinctive, engineered texture across both uppercase and lowercase. Figures echo the same segmented logic, with open or lightly broken joins that keep the set visually coherent.
Best suited to logos, headlines, posters, and short editorial titling where its segmented geometry can be appreciated. It can also work for UI accents, product labels, and tech-oriented packaging, especially when used at larger sizes with ample tracking and clean contrast against the background.
The overall tone feels modern and experimental, balancing a technical, futuristic flavor with a friendly softness from the rounded stroke endings. The deliberate breaks and simplified geometry give it a sleek, designed-by-system character that reads as contemporary and slightly playful rather than strictly utilitarian.
The design appears intended to reinterpret a neutral sans into a distinctive display voice using systematic rounding and selective breaks in strokes. By maintaining consistent stroke weight and simplifying joins, it aims for a refined, futuristic signature that remains readable while clearly departing from conventional grotesk construction.
Spacing and letterfit appear generous, enhancing the airy look and helping the thin strokes stay legible at display sizes. The segmented construction becomes a strong identifying feature in words, creating a rhythmic pattern of small pauses along stems and bars.