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Free for Commercial Use

Bubble Vani 14 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Osaka Chips' by Ergibi Studio and 'Malachite' by Umka Type (names referenced only for comparison).

Keywords: posters, branding, packaging, stickers, children’s, playful, bouncy, cartoony, friendly, retro, headline impact, playful branding, retro novelty, friendly tone, comedic flair, rounded, soft, chunky, puffy, hand-drawn.


Free for commercial use
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A highly rounded, inflated display face with compact proportions and heavy, blobby strokes. Letterforms lean forward and feel loosely hand-shaped, with uneven internal spacing and subtly shifting widths that create an irregular rhythm. Counters are small and often pinched into teardrop-like openings, while terminals stay soft and bulbous rather than sharp. The overall silhouette is smooth and pillowy, prioritizing mass and gesture over crisp geometry.

Best suited for display applications where personality is the priority: posters, playful branding, product packaging, stickers, and social graphics. It also fits children’s materials, casual event promos, and retro-leaning concepts that want a bold, friendly voice. Use larger sizes and shorter lines for maximum legibility.

The tone is lighthearted and comedic, with a carefree bounce that reads as fun and informal. Its soft, swollen shapes suggest a toy-like, snackable personality that feels welcoming and slightly goofy, lending an upbeat, kid-friendly energy to headlines and short messages.

Likely designed to deliver an instantly recognizable, puffy headline look with a hand-made bounce and humorous charm. The soft terminals, compact bodies, and irregular rhythm emphasize warmth and movement, aiming for an approachable novelty feel that stands out quickly in display settings.

At text sizes the small apertures and dense black mass can reduce interior clarity, so it benefits from generous tracking and strong size hierarchy. The forward slant and irregular width changes add motion, but also make long passages feel busy; it performs best when treated as a characterful accent rather than a workhorse.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸