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Free for Commercial Use

Print Hybow 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Helvetica' by Linotype, 'Arial' and 'Arial Narrow OS' by Monotype, 'Lyu Lin' by Stefan Stoychev, and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, kids media, branding, stickers, playful, friendly, casual, childlike, cheerful, hand-drawn charm, playful display, friendly tone, casual emphasis, rounded, blobby, soft, chunky, bouncy.


Free for commercial use
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A rounded, heavy marker-like font with soft, inflated shapes and gently uneven curves. Strokes stay broadly consistent in thickness, with slightly wobbly contours and frequent bulbous terminals that give letters a hand-drawn, cutout feel. Counters are compact and irregular, and the overall rhythm is bouncy rather than rigid, with small variations in width and interior spacing across glyphs. Numerals and capitals share the same chunky, approachable construction, prioritizing character over strict geometric precision.

Best suited to display applications such as posters, playful packaging, kids-oriented materials, social graphics, labels, and casual branding where a friendly handmade look is desirable. It also works well for short headlines, captions, and callouts that benefit from a bold, soft-edged presence.

The tone is warm, goofy, and approachable, with an upbeat handmade energy that feels kid-friendly and informal. Its puffy silhouettes and uneven detailing suggest spontaneity and fun rather than formality, lending a lighthearted voice to short messages and punchy statements.

The design appears intended to mimic a bold hand-drawn print style with rounded, plush forms that feel spontaneous and welcoming. It emphasizes personality and visual charm over strict typographic regularity, aiming to deliver an instantly approachable, informal voice.

At larger sizes the irregularities and rounded joins read as intentional texture; in smaller settings the tight counters and heavy mass can reduce clarity, especially in dense text. The design’s strongest moments are in headline-like lines where the playful shapes have room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸