Script Nibab 10 is a light, narrow, high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, quotes, elegant, romantic, inviting, refined, classic, calligraphic feel, elegant display, human warmth, expressive caps, calligraphic, flowing, swashy, looped, slanted.
This script face is built from smoothly joined, calligraphic strokes with a consistent rightward slant and pronounced thick–thin modulation. Capitals are more open and gestural, with long entry strokes and occasional swashes, while lowercase forms stay compact with relatively small counters and a modest x-height. Terminals tend to taper to fine points, and curves are drawn with a brush-pen rhythm that creates lively, varied word shapes. Numerals and punctuation follow the same handwritten logic, with slightly irregular widths that keep the texture natural rather than mechanically uniform.
This font performs best in display and short-to-medium text where its connected cursive and contrast can be appreciated—wedding suites, event invitations, boutique branding, beauty or lifestyle packaging, and pull quotes. It can also work for headings and subheads on editorial or social graphics when paired with a simple supporting serif or sans.
The overall tone feels formal and personable at once—polished enough for special-occasion typography, yet warm and human due to the handwriting-like motion and tapered finishes. Its looping joins and smooth cadence read as romantic and classic, suited to graceful, premium messaging rather than utilitarian text.
The design appears intended to emulate confident, brush-pen calligraphy in a clean, repeatable digital form, balancing legibility with decorative movement. It prioritizes flowing connections, expressive capitals, and an elegant contrast profile to deliver a premium handwritten look.
In longer lines the strong diagonal stress and tight internal spacing create a dense, rhythmic color that rewards generous tracking and line spacing. The more elaborate capitals can dominate at small sizes, so the font tends to look best when given room for its ascenders, descenders, and extended entry strokes.