Sans Superellipse Onnah 2 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, headlines, branding, posters, packaging, tech, futuristic, clean, modular, industrial, modernize, systemize, sci-fi tone, ui clarity, brand distinctiveness, rounded, squared, geometric, monoline, compact.
A geometric sans built from rounded-rectangle (superellipse) primitives, with squared counters and consistently softened corners. Strokes are largely monoline with low apparent contrast, and terminals tend to end in flat, straight cuts that emphasize a crisp, engineered feel. Curves are controlled and boxy—seen in the squarish O/Q/0 forms and the rectangular bowls of letters like B, P, and R—while diagonals (K, V, W, X, Z) are clean and slightly tensioned against the otherwise orthogonal skeleton. Lowercase forms keep a compact, tidy rhythm, with single-storey a and g, a squared-shoulder n/m, and a short, functional t; figures follow the same rounded-square construction for a cohesive texture in mixed settings.
Works well for interface labels, dashboards, and product UI where a clean, technical voice is desired, and for headlines or short copy that benefits from a distinctive geometric signature. It’s also well-suited to branding in technology, gaming, or electronics, as well as packaging and poster work that aims for a modern, engineered aesthetic.
The overall tone reads technical and futuristic, with a display-leaning, sci-fi interface character. Its rounded-square geometry feels modern and product-oriented—precise and systematic rather than friendly or handwritten—while the softened corners keep it from looking harsh.
The font appears designed to translate rounded-rectangle geometry into a readable sans for contemporary applications, balancing a futuristic display flavor with enough regularity for functional settings. Its consistent corner treatment and squared counters suggest an intention to feel modular and systemized, like signage or UI typography built from a unified grid.
Distinctive superelliptical shaping creates a recognizable texture, especially in the closed forms and numerals, which appear more squared than circular. The design maintains strong internal consistency across uppercase, lowercase, and figures, producing an even color and a slightly condensed, space-efficient impression in text lines.