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Free for Commercial Use

Wacky Ufbi 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Gibstone' by Eko Bimantara, 'Organetto' by Latinotype, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: posters, headlines, halloween, event flyers, packaging, playful, spooky, grungy, cartoonish, rowdy, attention grabbing, themed display, distressed effect, poster impact, distressed, ink-splattered, roughened, chunky, blobby.


Free for commercial use
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A heavy, chunky display face with simplified letterforms and a blocky, almost slab-like structure. Strokes are broad and compact, with soft corners and slightly uneven contours that create an intentionally imperfect silhouette. A consistent distressed texture—like scratches, chips, and ink breaks—cuts through counters and stems, producing high-impact dark shapes with scattered light flecks. Curves are stout and rounded, terminals tend toward blunt endings, and punctuation and numerals follow the same rugged, cut-up treatment for a cohesive look.

Best suited to short display settings such as posters, punchy headlines, event flyers, and bold packaging where the distressed texture can be appreciated. It’s especially fitting for seasonal or themed work (e.g., Halloween), comedy or playful horror branding, and any design that benefits from a loud, worn-print look. Avoid long text or small sizes where the interior breaks may interfere with legibility.

The overall tone is mischievous and theatrical, with a slightly spooky, camp-horror energy. The distressed breaks add grit and motion, suggesting messy ink, worn signage, or a DIY poster aesthetic. It reads loud and humorous rather than refined, leaning into personality and visual noise for attention.

The design appears intended to deliver maximum impact through thick silhouettes paired with a built-in distressed effect, giving instant character without additional graphic treatment. Its irregular texture and stout proportions suggest a goal of playful, attention-grabbing display typography with a gritty, printed-wear flavor.

Counters remain generally open despite the heavy weight, but the internal distressing can reduce clarity at smaller sizes. The texture is prominent and uniform across the set, making the font feel like a single, intentional effect rather than random erosion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸