Slab Square Tabal 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Zine Slab Display' by FontFont, 'TheSerif' by LucasFonts, 'Metronic Slab Narrow' by Mostardesign, and 'Fenomen Slab' by Signature Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial display, confident, vintage, editorial, sporty, assertive, display impact, emphasis, retro tone, brand presence, slab serif, bracketed slabs, oblique stress, ink-trap feel, compact apertures.
A bold italic slab serif with sturdy, block-like serifs and mostly flat terminals. The letterforms lean with a consistent oblique angle and show broad, rounded curves paired with firm verticals, creating a punchy, compact rhythm. Contrast is minimal, with thick strokes staying relatively even; joins and corners often soften into subtle rounding, and several glyphs show tight internal spaces that read as intentionally dense. Numerals and capitals feel wide and solid, while the lowercase maintains a steady, readable texture with pronounced slab feet and strong entry/exit strokes.
This font is well suited to short, high-impact settings such as headlines, posters, and bold editorial callouts where an italic slab voice can add urgency. It can also work for sports-oriented branding, event graphics, and packaging that benefits from a sturdy, attention-grabbing typographic texture.
The overall tone is energetic and forceful, blending a classic print sensibility with a sporty, headline-ready swagger. Its italic slant and heavy slabs give it momentum and presence, suggesting confidence and a slightly retro, poster-like attitude.
The design appears intended to deliver a strong display presence by combining heavy slab serifs with an italic stance, producing a compact, emphatic word shape. It aims for clear, energetic impact with a classic slab foundation rather than refined, high-contrast elegance.
The design emphasizes weight and stability over delicacy: counters are somewhat closed, curves are generously rounded, and the slabs anchor lines strongly. The italic construction remains upright enough to stay legible at display sizes while still signaling motion and emphasis.