Print Fidom 8 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: posters, packaging, headlines, social media, brand marks, energetic, playful, casual, handmade, streetwise, hand-lettered feel, expressive texture, casual emphasis, display impact, brushy, textured, dry brush, angular, expressive.
A slanted, brush-leaning handwritten style with compact proportions and a lively, variable rhythm. Strokes show visible texture and rough edges, suggesting a dry-brush or marker drag, with occasional flare at terminals and slightly uneven stroke boundaries. Letterforms are mostly unconnected and simplified, mixing rounded bowls with sharper, angular joins; counters tend to be open and shapes are intentionally imperfect for an organic feel. The overall spacing and widths vary from glyph to glyph, creating a natural, handwritten cadence rather than strict typographic regularity.
Well-suited to short, attention-grabbing text such as posters, event promos, packaging callouts, and social media graphics where a handmade voice is desired. It also works nicely for casual headline systems and branded phrases that benefit from an expressive, brushy texture.
The font reads as informal and energetic, with a punchy, DIY character that feels personal and spontaneous. Its rough, inked texture and forward slant add motion and urgency, giving it a friendly, slightly rebellious tone suited to contemporary casual messaging.
The design appears intended to mimic quick, confident hand lettering with a dry-brush edge—prioritizing personality, motion, and tactile texture over strict uniformity. Its slant and variable rhythm suggest a goal of creating an energetic, contemporary handwritten feel that stands out at display sizes.
Capitals have a broad, gestural presence that pairs well with the smaller, compact lowercase, and numerals follow the same brush-textured logic for consistent color. The texture can build strong dark mass in longer lines, so it tends to look best when given comfortable line spacing and used where expressiveness matters more than long-form neutrality.