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Stencil Joju 11 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Futo Sans' by HB Font, and 'Bitner' and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, tactical, mechanical, rugged, authoritative, stencil marking, industrial branding, rugged display, military styling, impactful titles, chamfered, angular, condensed joins, blocky, modular.


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A heavy, block-built stencil face with chamfered corners and sharp, angular cut-ins that create a distinctly segmented silhouette. Strokes are mostly uniform in weight, with consistent stencil bridges appearing as rectangular gaps and notches across verticals, bowls, and diagonals. The forms feel modular and machined, balancing squared counters with occasional octagonal shaping (notably in round letters and numerals). Spacing and rhythm are sturdy and deliberate, producing dense, high-impact word shapes that stay legible in short bursts.

Best suited to display uses where impact and a utilitarian aesthetic are desired: posters, headlines, product packaging, equipment-style labels, and wayfinding or warning-style signage. It performs especially well in short phrases and titles where the stencil texture can contribute to the overall theme without overwhelming readability.

The font conveys an industrial, utilitarian tone—suggesting equipment labels, shipping crates, and military or tactical markings. Its hard edges and engineered breaks project toughness and functionality rather than warmth or elegance. The overall impression is assertive and no-nonsense, with a slightly retro mechanical flavor.

The design appears intended to emulate cut-stencil lettering used for marking and identification, translated into a bold, geometric, highly structured typographic system. The consistent bridges and chamfered terminals suggest a focus on durability and reproducibility, aiming for a mechanical look that stays clear under rough printing or high-contrast applications.

Stencil breaks are prominent enough to read as a core design feature at text sizes, giving letters a rugged texture and a distinctive patterning across lines. Round characters are intentionally faceted rather than truly curved, reinforcing the geometric, fabricated feel. The lowercase maintains the same squared, constructed logic as the uppercase, helping mixed-case settings look consistent and purposeful.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸